Saturday, August 30, 2025

Folk Songs and Dances

Folk Songs and Dances
Royal Albert Hall

The Prom this morning begins at 11am at the Royal Albert Hall. I am in the car, having just enjoyed our usual Saturday morning family breakfast at Ness Gardens.

It's the London Symphony Orchestra this morning, and that usually bodes for quality listening. The first piece of music is English Folk Song Suite by Ralph Vaughan Williams. As you would expect, it's a jolly outing, stopping short of pompous.

Next it's Gunther Schuller's Eine kleine Posaunenmusik (A Little Trombone Music) - should be a laugh. The poor trombone is an instrument plagued with unintentional comedy. This piece, though, does have some depth. For all involved, I'm grateful for that.

During the interval there is some discussion about military bands and music, which interests me muchly. Ironically for an all-English programme, my mind can't help but wander to Scotland and one of my favourite instrumental sounds, that of the Bagpipes [for the record, I am aware there are certain English propagations of the Bagpipes]. Maybe the most ceremonial of all instruments. From a primal military perspective, I guess that, when you hear a troupe of those coming for you, you'll almost certainly run in the opposite direction.

My concentration is starting to wane during Tippett's 'Triumph', which I must say I'm struggling to decipher. I'm likewise unsure of what to comment about Michael Almond's English Dances and Percy Grainger's The Lads of Wamphray - except to say that the name 'Percy Grainger' is a perfect fit for this region of theme. And on that note, it's the one we've all been waiting for to break the monotony: Percy Grainger's arrangement of English Country Gardens. I imagine myself at a May Day fete on a village green somewhere in Buckinghamshire [we don't tend to get them in the North West.] You know what I'm talking about: there's Morris dancing, hoopla, and a coconut shy. 

Closing the show is A Lincolnshire Posy, and if I'm expecting it to follow suit of the Country Gardens, I am a little mistaken. Not so frilly is this piece; sounds more serious. What it does have in common with Country Gardens is that it carries that same, grounded richness.


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