Friday, August 29, 2025

Khatia Buniatishvili Plays Tchaikovsky

Khatia Buniatishvili Plays Tchaikovsky
Royal Albert Hall

For me, it's been another proud Friday afternoon of running. Managed a 10k in 01:06:51 to be precise. The route was perfect. Started at my house, along the Bridgewater canal to Walton Hall and Gardens, then through Warrington towards Warrington Bank Quay train station. All of this was bang on ten kilometers in distance, and I was overjoyed. Got the train back, one stop.

The first piece of music at the Royal Albert Hall tonight is Haunted Hills, by Margaret Sutherland. The opening is ostentatious and a trifle kitsch. Not to say unpleasant - the underlying strings are definitely giving it a good old 'haunted house' feel. It's not so much haunted in a modern American way, but rather I would place it in a film accidentally stumbled across on Talking Pictures TV on a Sunday afternoon. Introduced to the music is, what to me at first, sounds like someone playing the part of a ghost or ghoul. There's some incoherent kerfuffle, and I wonder is this part of the act? [this is culture, after all]. No - it seems there is something of an indiscretion at the Royal Albert Hall. The presenter Ian Skelly [I'm getting to know the Radio 3 presenters now] declares it a 'coordinated situation', keeping his consummate cool and eloquence.

We get played a peaceful Brahms, Chopin, and Bach to settle us, censoring the disturbance for those of us hooked up on the wireless. We are informed that the concert is going to start again from the beginning. Also, the Dvořák is going to be played before the Tchaikovsky, in a change to the running order, as the soloist is a little shaken up by the disturbance in the hall. 

With it being the BBC Proms, it's not rocket science to work out what the 'disturbance' is in aid of. I have a quick look at Twitter [X, if we must], and see there are 'unconfirmed reports' - guesswork, basically. I look up the Melbourne Symphony Orchestra, and it seems they've got themselves into some political hot water over the last couple of years. However, I am not going to offer my own thoughts on the matter, simply because I don't understand it enough to provide a meaningful opinion. Whenever I try to read up on it, all I'm faced with is noise. [Politically, the far-right and the far-left dislike the BBC in equal measure, so it only takes a simple mathematical equation to tell us that, in actual fact, it tries to float somewhere around the centre.] One thing I do know is that there is nothing noble in frightening someone. And as with all 'protests' of this nature, the subject of their protestation is the same thing they literally funded on the way in. Such is the idiocy of these people.

Just been thinking back to some other times when I've witnessed unsettling disruptions during a performance. One of them was actually at the Royal Albert Hall, back in 2013, when I went to see Eric Clapton perform there. It's documented on YouTube somewhere. Near the end of the show, a 'fan' jumped onto the stage and (if memory serves) tried to grab EC's leg, probably so he could boast about it to his mates. Fortunately, security at the RAH was on to it like a flash. EC, to his credit, managed to virtually ignore what was going on, and continue playing the song (it was either the encore, or the final song of the main set). Something very similar happened when I saw Sterophonics at the Liverpool arena in 2022, to which Kelly Jones quipped: 'you've got to pay extra for that.' Classy comeback!


Back to tonight's schedule at the Proms, and the second piece is Dvořák's Symphony No. 6. I wouldn't call it relaxing, but there's a beautiful energy to it, and it's very pleasing to the ear.

During the interval there's some chat about what it means to be a 'assistant conductor' - I didn't know this was a thing, but I suppose it makes sense!

And finally, the Tchaikovsky. God, it's glorious. I think Ian Skelly is right to compare its famous opening to Beethoven's Fifth - because it really does make for a worthy competitor. As I mentioned when Tchaikovsky's 2nd was played earlier in the run, I was first introduced to his 1st when I watched the 1990 film Misery: and I often visualise a romantic version of myself typing away furiously at my laptop keyboard, trying to keep up with all these Proms blogs - as Thchaikovsky's Piano Concerto No. 1 plays in the background.



Image created with ChatGPT


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